Pictures by Women: A History of Modern Photography / MoMA, New York
The Edward Steichen Photography Galleries, third floor
Pictures by Women: A History of Modern Photography
May 7–August 30, 2010
The Museum of Modern Art draws from its rich collection of photography to present the history of the medium from the dawn of the modern period to the present with the exhibition Pictures by Women: A History of Modern Photography, from May 7 to August 30, 2010.
Lucia Moholy (British, 1894-1989)
Untitled (Florence Henri), 1927
Gelatin silver print, 14 5/8 x 11″ (37.1 x 28 cm)
The Museum of Modern Art, New York. Thomas Walther Collection. Gift of Thomas Walther
© 2010 Lucia Moholy Estate/Artists Rights Society (ARS), New York
Filling the entire third-floor Edward Steichen Photography Galleries with photographs made exclusively by women artists, this installation comprises more than 200 works by approximately 120 artists, including a selection of exceptional recent acquisitions and works on view for the first time by such artists as Anna Atkins, Claude Cahun, Rineke Dijkstra, VALIE EXPORT, Nan Goldin, Helen Levitt, and Judith Joy Ross.
The exhibition also includes masterworks by such luminaries as Berenice Abbott, Diane Arbus, Gertrude Käsebier, Dorothea Lange, Lisette Model, Tina Modotti, Cindy Sherman, and Carrie Mae Weems, as well as pictures, collages, video, and photography-based installations drawn from other curatorial departments by artists such as Hannah Höch, Barbara Kruger, Annette Messager, Yoko Ono, Lorna Simpson, Kiki Smith, and Hannah Wilke. The exhibition is organized by Roxana Marcoci, Curator; Sarah Meister, Curator; and Eva Respini, Associate Curator, Department of Photography, The Museum of Modern Art.
The Edward Steichen Photography Galleries comprise a circuit of six rooms devoted to a rotating selection of photographs from the Museum’s collection. The galleries featuring works from 1850 to the 1980s open on May 7, 2010, and remain on view through March 21, 2011. The most contemporary works in the exhibition are currently on view in The Robert and Joyce Menschel Gallery, and they remain on view through August 30, 2010.
Carrie Mae Weems
Carrie Mae Weems (American, born 1953)
From Here I Saw What Happened, 1995
Chromogenic color print with sand-blasted text on glass, 43 1/2 x 33 1/2″ (110.5 x 85.1 cm)
The Museum of Modern Art, New York. Gift on behalf of The Friends of Education of The Museum of Modern Art
© 2010 Carrie Mae Weems
Gertrude Käsebier (American, 1852-1934)
The Manger, 1899
Platinum print, 12 13/16 x 9 5/8″ (32.5 x 24.4 cm)
The Museum of Modern Art, New York. Gift of Mrs. Hermine M. Turner
Ilse Bing (American, born Germany. 1899-1998)
Self-Portrait in Mirrors, 1931
Gelatin silver print, 10 1/2 x 12″ (26.8 x 30.8 cm)
The Museum of Modern Art, New York. Joseph G. Mayer Fund
© 2010 The Ilse Bing Estate / Courtesy Edwynn Houk Gallery
For much of photography’s 170-year history, women have contributed to its development as both an art form and a means of communication, expanding its parameters by experimenting with every aspect of the medium. Self-portraits and representations of women by a variety of women practitioners are a recurring motif, as seen in works by artists ranging from Julia Margaret Cameron to Lucia Moholy, and from Germaine Krull to Katy Grannan. Significant groups of works by individual photographers are highlighted within this chronological survey, including in-depth presentations of the work of Frances Benjamin Johnston, Käsebier, Modotti, Lange, Levitt, Arbus, Goldin, and Ross.
Courtesy Museum of Modern Art, New York
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